Eve disobeyed, she ate the apple and she was punished by becoming not only human but also a mother. He can't understand her, but don't you suppose he understands her dislike? He seems to recognize that he has some advantage over her. So we must find our Grace in the minuscule, and it is in these brief moments of consolation, these shafts of light under the door, that Kevin provides the deft sucker punch to the, by now, standard narrative benchmarks of despair, emptiness and futility which permeate contemporary film. Is she channeling the brief moment of affection between the two when he was young and sick, or is she working toward being a better mother upon his release? Or to put it differently, Ramsay more or less stays true to the novel's somewhat callow and, at times, hysterical approach to the rich questions of maternal doubt. The second is Kevin's bedroom. The story goes back to the past to recreate the events that led Eva to her present discontent. So, his dressing sense is perhaps not an indictment of his bitterness. Kevin's killings, meanwhile, are the absent, invisible center of Ramsay's film. Tilda Swinton, in a bracing, tour-de-force performance,. Hes a friendly and vibrant young priest and a gifted preacher. ROHAN: Was there anything major cut that you remember shooting? Eva goes into postpartum depression, and her menacing and antisocial kid Kevin only aggravates her ailment. Was he acting out to punish Eva? What is the streaming release date of We Need to Talk About Kevin (2011) in Canada? Crypto So, what did that exchange mean for the Khatchadourians? The truth to motherhood is a harsh one. An excellent movie with great characters, amazing development, and astounding use of cuts, foreshadowing, and visual storytelling. Children seldom get that attention, though. The camera zooms in, but the scene cuts just before we can get a peek on what's on the other side of it. Fast forward to fifteen year old Kevin, and we can see that this habit has become his worldview. So, I'm personally glad that they distanced that part of the thing from this character, but there was so little overlap that - There's only seven comic books, I think, that have Jentorra in them - that we really did seem to have a lot more freedom to kind of create a fully new character for this. Kevin replies that he thought he knew why but now hes not sure anymore. BBC Films As he grows up, we see him in a blue t-shirt, and consecutively, in a bland white one. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. This review of the film was originally published on December 22, 2011. Did your prior experience help prepare you for some of what to expect on Quantumania? For those of us in the northern hemisphere, we have officially entered the dead of winter that time after Christmas and New Years when, Earlier this year my home parish welcomed a new associate pastor. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. Her body can't absorb more punishment. We see Kevin as a troubled kid who may need greater care. So, that part I kind of liked because it shows, okay, this is what someone who's still fighting, interacting with someone who kind of essentially gave in. ROHAN: Since Jentorra is the leader of the rebellion, was there anything specificyou tried to channel or watch to get into her headspace? The two embrace, and then she walks away. He proves it when he poops himself twice in a row and she breaks his arm in a fit of rage, what he calls, "The most honest thing you ever did to me." You couldnt have possibly thought that seeing someone eat lychee would be so distressing, but Ezra Miller makes it happen. So, I think TV being as fast paced as it is, and as kind of chaotic as it can be, it doesn't always set you up for being able to walk into a film where you've had plenty of time to look into everything and prepare. Something just happened. Home | The real horror in We Need to Talk About Kevin is society's dogmatic conception of motherhood,and the pressure to live up to it. When we see an overdressed Eva beside Kevin, the distinction between the two becomes clear as daylight. When Kevin paints Evas room with color splashes, Eva thinks that Kevin wanted to ruin the room, but maybe he really wanted to make it more special. While we are not sure whether Kevin consumed the eye itself, we know from the book that Kevin keeps Celias glass eye as a souvenir after assailing her. Read on for our full interview with Katy O'Brianand please remember to SUBSCRIBE to my channel for exclusive content! Kevin keeps the secret of how this happens and a strange complicity develops between the mother and son. When his father is around, Kevin behaves like a charming and enthusiastic kid. The kind of clothes one chooses is also indicative of ones social status. "We Need to Talk About Kevin" leans into that debate, showcasing a resentful mother, a passive father, and a child with an untreated mental illness. From ths beginning of the movie they lay out the whole story, but it isn't until you watch the full thing that you piece everything together and get this larger than life story. For full Oscars coverage and commentary by its reviewer, Fr. She is less interested in the nature vs nurture debate, more in the crippling weight of societal expectations of motherhood. A bright light appears outside. ET. Swinton is collecting a bevy of early plaudits and nominations, as well she should. Kevin knows that Celia is his mothers favorite offspring, and he goes to great lengths to make his mother feel uncomfortable. ROHAN: Jentorra does have a comics counterpart, did you draw on those stories to inform your backstory or did you work with Peyton to create anew backstory for the film? Does Eva's open contempt for Kevin drive him to darkness? The movie we see is her collecting every horrible interaction she ever had with her son and putting it under the umbrella of "things I did," because the only way she can cope with the insanity of what her son did is by fitting it to a narrative where she's responsible. She obviously feels complicit and takes on the role of communal scapegoat as a way to expiate her own guilt as well as to grieve the loss of her family. The most cynical, nihilistic, misanthropic films ever made. Kevin was never the apple of his mothers eye, which he realized from early childhood. Little Kevin cries relentlessly, and Eva often uses cruel methods to shut him up. She asks Kevin why he didn't kill her. Those trucks have the new UPS logo, where if the time-frame is correct, the trucks would have had the old logo of a stringed parcel above the UPS Shield. The story revolves around a family of four, but the main focus is on the relationship between the mother (Eva, played by Tilda Swinton) and the son (Kevin, played by Rock River, Jasper Newell and Ezra Miller). Jokes are fine, but don't post tactless/inappropriate ones. Kevin gets taught about sex from his mother but he already knows what it is and calls it "fucking". Maybe everything else is intended to be a flashback, and the timeline begins when she finds out what Kevin did at his high school. Community Guidelines | Not here. Kevin grows up to be ever more distant. In the next sequence, he appears in a loose white shirt. Theres a possibility that maybe before all this happened that there was that naivete to Jentorra, but yeah, I don't know that she was re-inspired by Cassies energy, I guess, as much as like, Hey, this is the real world and you need to kind of catch up to where we are.. KATY: Yeah, I was so jealous, because I really loved it. Kevin's antics swell into violence during his teenage years, further driving a wedge between his parents and mutilating his little sister Celia (Ashley Gerasimovich) along the way. edition that "We Need to Talk About Kevin" asks an explicit question, "Yet I hope that this question is no more resolved in the book than crude oppositions like 'nature vs. nurture' are ever reconciled in real life.". What feels like a simple story feels so much larger due to the development of every character and the world around them, it almost feels like you know these characters personally and feel for them when something happens, that is a what great movie does. Matters worsen when she becomes pregnant with a daughter. Anyways I haven't read the book but I guess I probably should lol, Scan this QR code to download the app now. Kevin does things to Eva in this movie that are so cruel that an evil demon seems to be regarding her from his eyes. When she asks him that honest question, having accepted the reality of her abuse towards him, she comes to him totally honest And he no longer feels that underlying connection between love and fear that motivated him to his actions. If this were an act of self-penance it might make sense, but there's no real sense Eva is doing it out of guilt either. Powered by WordPress.com VIP. Eva believes that some defect of maternal affection had something to do with Kevin's development. We find ourselves inside the mind of a woman whose psychopathic son has driven her over the edge. Ramsay regularly cuts to a scene where Eva is driving her car past flashing police lights toward the scene of some tragedy. His son is who Franklin says he is, and anything else is just invisible. Directed by Peyton Reed and produced by Kevin Feige, p.g.a. But the two most significant and poignant moments are found at the end of the film, when the 18-year-old Kevin, two years into a prison sentence for a heinous incident at his high school (yes, its as bad as you think), responds to his mothers query as to why he did what he did. Besides their physical likeness, Eva and Kevin also share a certain coldness, which plays into Eva's self-hatred. Although the act is enhanced through visual obscurity and concealment, we get the idea that Kevin kills a few of his classmates in the locked auditorium. Although these two terms are often used interchangeably in colloquial use, there are some mild differences between these two categories of personality disorders. He hates Eva for a plethora of reasons her neglect, her coldness towards Kevin, and Franklins misguided overcompensation for the lack of Evas love. Most of the film in present time shows the ritual abuse and humiliation the bereft Eva suffers from the community that she continues to live in after Kevin's deeds. But Ramsay is less interested in the blame game, more in how trauma can put us in a vicious cycle of self-inflicted pain. Shortly after the incident with Celia, Kevin and his parents have a confrontation at the dining table. There are two really great examples of this: the first is the bow. This cycle is beautifully written and acted by Swinton, so much that you can't help but empathize with her despite her own assurances that every drop of blood her son ever spilt is on her hands, an image weaved throughout the movie. The victims of those who go out with a bang are miniscule in comparison to the number who go out (extinguish themselves) in solitude with nary a whimper. We learn that Kevin was a difficult, colicky baby, who grew up to be a difficult, problematic child who seemingly refuses to toilet train, despite a rather surprising vocabulary. In You Were Never Really Here, Joaquin Phoenix was a hitman beset by PTSD. All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. It discloses its narrative fitfully, in snatches and gobbets that make sense only gradually, like the . The film primarily shows you the pathos of evil by painting a portrait of a deeply and violently disturbed young man from his mother's point of view, and you watch how this relationship built and how that pathos developed. The opening shot fades to white, before cutting to a sea of red in the next sequence, foreshadowing the bloodshed to come. Be respectful! His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. ", As with any book-to-film adaptation, some of the nuances were lost in translation. Any spoilers should be placed in spoiler tags as such. She's like a fish out of water. And it works - Eva's confrontation was brutally dishonest, but after his reaction she's barely containing her seething rage and the truth of it is all over her face. And so is Eva. They never talk about Kevin. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. For much of the film, she lives with her husband, son and daughter in an expensive suburban home, and when we realize they've lived there for several years, we begin to wonder, how can four people occupy a home for over a decade and not accumulate anything? So, I think it'd be really cool to explore that either in future Quantum Realm stuff or if somehow I got sucked out into the surface world or something, any of that would be fun. Though Ramsay does away with Eva as a first-person narrator in the film, she still retains Eva's point-of-view throughout. Scan this QR code to download the app now. Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. Together, with Hopes parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas), and Scotts daughter Cassie Lang (Kathryn Newton), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible. Starring: Tilda Swinton,John C. Reilly,Ezra Miller Watch all you want. Sign up for weekly updates from Busted Halo! None of that takes anything away from yet another deeply felt performance by the always-interesting Swinton. Will, get up. There's the Good Mother, like Diane Freeling who travels to another dimension to save her daughter in Poltergeist. The colour red is a recurring motif in the film. Nature refers to how they were born, while nurture refers to how they were raised. As Robin Hood, little Kevin appears in a similar-looking shirt. The film ends with the emotionally blank mother visiting her son on the second anniversary of his crimes, just before he's transferred to an adult prison. Try refreshing this page.If the problem persists, contact our support contact our support It doesn't gel with what has come before, where Eva seems to accept her son's innate cruelty, and is looking for a way to escape. Therefore, when Kevin shows Eva the scar from the childhood accident, he tells her that it is the most honest thing that Eva ever did to him. We see it perfectly after he blinds Celia - Eva attempts to confront him about what he's done, and he sits chewing a water chestnut to impress the image of plucking out an eye on Eva, just to watch the horror on her face. She lives with the guilt of what her son did, on top of the guilt of knowing she did nothing about the various warning signs. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. The flow-on problem with Kevin's malevolence is it defies credibility that the father can't see any problem with his son (or, that Kevin is clever and manipulative enough to deceive him from an early age). For removal of copyrighted images, trademarks, or other issues, Contact Us. Eva gets pregnant for a second time and gives birth to a little daughter Celia. Is her husband as zoned out as he seems or is that only her perception? Swinton is excellent as Eva, the reluctant mother tormented by her psychopathic son, and director Lynne Ramsay handles the disjointed time structure well, but that's about all I can commend about it. Where do you think Jentorra's story goes next? Kevin is a defiant baby who screams incessantly but never around Franklin. Index | Go do something. Eva takes incessant trips down memory lane to cope with her past loss. Rated R Like Jentorra kind of was the reason that her society collapsed in a way, in the comic books. Eva and Franklin are a happily married couple till Eva gives birth to Kevin. This comes to a head when Kevin has learned that pooping his pants is the quickest way to his mother's heart, and the time she shows him the most attention - but that attention is always disgust. Eva Khatchadourian (Tilda Swinton), a former travel writer, gives up her life of adventure when she becomes pregnant. While she's on the run when we meet her, it's the arrival of Scott (Paul Rudd) and Cassie Lang (Kathryn Newton) that brings her right back into the thick of the action. The result is that Franklin completely deprives Kevin of proper care - not only mental healthcare, but any other kind of care. Use the boards for extended discussion. Rated the #74 best film of 2011, and #5264 in the greatest all-time movies (according to RYM users). There seems to be almost no form of abuse she is not willing to take as belonging to her for what has happened. At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. Starring: Tilda Swinton, Ezra Miller, John C. Reilly. We had a lot more time to prepare for the character, had a lot more time to delve into the script and the role wasn't just like, you know, here's four pages, learn it by tonight, you know? It's very hard for me to take things seriously, I love to crack jokes and everything, and, I mean, they're so funny off-set, even the guy that played Xolum, James Cutler, he's so funny, and he's just screaming random stuff, when you're trying to be serious, and just all of a sudden, this yell comes out of nowhere, and you're trying to just keep a straight face. Not that she has a ton of options she struggles to find work and be accepted by those around her. It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community wont rally around you and more often than not Mr. Potter carries the day. and Stephen Broussard, p.g.a., Ant-Man and The Wasp: Quantumania also stars Jonathan Majors as Kang, David Dastmalchian as Veb, Katy O'Brian as Jentorra, William Jackson Harper as Quaz and Bill Murray as Lord Krylar. The film explores and identifies the hope to be found in the ashes of Ground Zero and in the wake of Columbine while never once attempting to sugarcoat the real darkness and danger that exist in our world. Years later, the birth of her daughter Celia, on the other hand, feels more festive. Eva repeatedly tries and fails to create a bond with her son according to traditional societal expectations. ROHAN: Since Jentorra and most of her freedom fighters make it out alive, have you heard anything about coming back for more Quantum Realm adventures down the line? Going on, she again asks the question of responsibility and says, "I don't know. Kevins clothes are also an avenue to memories for Eva, and in the end, Eva irons and stacks up Kevins clothes in a drawer in the hope that her son will return from prison. His willful misbehaviors continue as his mother becomes more estranged from him. But he hates her the most due to her pretense and dishonesty, it seems. Fr. Evas struggle to connect with Kevin only deepens with age. Read More: Best Movies About Mental Illness. So I am thinking, was he born evil from the very beginning and she knew it and treated him alike evil from the very beginning? She has something of an answer as to why Kevin committed such terrors, but where does that leave her? I think Jentorra felt a little betrayed by her, and there was no real reconciliation with them at the end. We're supposed to understand Kevin through Eva's flashbacks, which are indeed confusing, but not chronologically, where the difference lies solely in Tilda Swinton's hairstyle. Fun Fact: Ezra Miller is not a great person, Did not expect Steve Brule to be Kevin's father, can't help thinking how twisted but how well so much of this film would work with a laugh track [2]. Eva apparently thought her early life was on the right track and tells her screaming baby boy she would frankly rather be back in Paris than changing his diaper. Each rewatch only feels more rewarding because Ramsay is so pure and gifted a filmmaker she rattles and revises our preconceptions of what a movie and yes, mother too can be. I felt like I kind of joked with Jeff Loveness on this, but I was like, Did you just watch 300 and write my character? Because it was a lot of like those single line, Get to the tower!, and just kind of like silly one liners and things that felt reminiscent of a lot of those just straight up warrior movies. Jake Martin, visit our special Oscars season blog, Movie Minister.. But when he just sits there frowning, she expresses real disgust towards him. To rate, slide your finger across the stars from left to right. But her expression is one of strained indifference. For instance, the ball game Eva plays with a toddler Kevin: when Kevin successfully rolls the ball back to her, her praise is strained and brittle. 2023 Cinemaholic Inc. All rights reserved. Reilly is typically wonderful in a thankless role, while both juvenile actors evince a low-grade rage that never moves into complete disconnection or full-blown psychosis. Alec Baldwin has been charged in the southwest state of New Mexico for manslaughter and faces an 18-month prison sentence, as does the film's armourer Hannah Gutierrez-Reed. Thats the underlying message of We Need to Talk about Kevin, Lynne Ramseys remarkable allegory on the transcendent nature of relationships. Kevin is neither rational nor articulate enough to identify his desire, that is, to have an authentic and fully realized relationship with his mother. The name itself Eva is not chosen by chance, echoing the fatally disobedient woman of the Bible, whose act determined the loss of the Garden of Eden. Swinton told me of a line in the script that wasn't used, wisely, I believe. Jake Martin, SJ, is a Jesuit priest, comedian and writer. Kevin grows up, and the family moves to an affluent neighborhood in their very own castle. We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie (2011) HD - YouTube 0:00 / 2:18 We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie. Like a fluke, nothing to do with her personality or her hubby's personality? Copyright | The cast ensemble, with Tilda Swinton, John C. Reilly, and Ezra Miller in a menacing role, cannot be praised enough. Eva has spent the events of the film in deep introspection, coming to terms with the fact that she was an abusive mother, and at least some of what happened grew out of that. The shelves and tabletops are as barren as those in a display home. Eva is entirely bound by the expectations of a culture that fetishizes the mommy and insists upon a particular quality and dynamic in order for relationships to be healthy and normative. The most plausible answer is that Kevin killed the family to hurt his mother. Eva can only play at being mommy, and so when Kevin refuses her attempts to breastfeed and is only appeased by the presence of his affable father, played by John C. Reilly, her whole world crashes down around her and her value as a person comes into question. Being a child somehow means they're inherently innocent. Three days before turning 16, Kevin unleashes chaos in his school. But we can safely assume that Kevin did not literally eat the eyeball. Therefore, the sense of clothing provides a link between the otherwise antagonistic mother and son. Who's there when Kevin gets sick? Franklin himself lives in a state of demented decency, deceiving himself that his family are living acceptable lives. KATY: I kind of saw Jentorra as someone who was already part of a warrior society, so maybe she was used to fighting already, but in kind of a way different level. His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. The point here is not to understand Kevin at all. Don't get in arguments with people here, or start long discussions. When asked about the film adaptation in an interview with The Guardian, Shriver said her biggest concern was if they'd be able to "capture the quality of the slightly unreliable narrator and the ambiguity over who is to blame. I have the feeling that this film, by entering Eva's mind, sees only what has been battering her down for 16 years. If you look one level deeper it's clear that Kevin was deeply and horribly emotionally abused by both of his parents, and in a genuinely loving family he would not have turned out the way he did. A young MAN and WOMAN are asleep in a tent. We see it in her bond with the more amiable Celia. At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. Rated R One day, Celia loses one of her eyes from toxic cleaning supplies, and Kevin becomes a prime suspect. Haunted by the past, Eva's memories are triggered by sounds, objects and everyday minutiae. Sometimes Zuzus petals are all you have to hold onto. As a teenager, Kevin (now played by Ezra Miller) has started to cruelly resemble his mother in profile and hairstyle. Kevin is far too malevolent, which might work in a Rosemary's Baby horror context, but not here (admittedly it does verge on horror at times but ultimately we are asked to empathise with Eva's travails as a mother). We see it in the wall of canned tomatoes that play backdrop to Evas anxiety attack in a supermarket, and the Cabernets she drowns her sorrows with. Cookies help us deliver our Services. Overview. American release: January 27, 2012. Finally. One may ask how one of the main instincts of every living thing, the need to reproduce, could be frightful. Did you work with her individually on creating some of that dynamic since Jentorra is someone that's been in this fight a long time versus Cassie who is just beginning her fight against Kang? We Need to Talk About Kevin: Directed by Lynne Ramsay. Catherine George managed the costume department impeccably well, with a slight touch of retro. When he is interviewed on TV, a reflection of Eva's face on the screen is overlaid on his. Her husband Franklin (John C. Reilly) dismisses her concerns and uproots their bustling city life for a quiet home in the suburbs. It seems that Kevin wears old and small clothes to bring her mothers neglect to the worlds attention. About | "At the end of the day, I have no idea, and that pure, serene, ignorance has become, itself, a funny kind of solace," she writes in a letter to her deceased husband. ROHAN: Considering that you had done Black Lightningand Agents of S.H.I.E.L.D.,and already gotten a small taste of superhero projects before stepping into this massive MCU project. If you are having trouble tying loose ends, let us assist you in the process. He's aware of her feelings toward him, and throughout the film, points them out. Shriver welcomes the sharply divided interpretations, writing in the Harper Perennial P.S. We see her birthing of him as rather fraught and his incessant crying drives her nearly mad. But Kevin is just getting started, and his final act will be be Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. A flashback, from long before Kevin was born, shows Eva at La Tomatina, celebrating with the crowd. These people live there, but they've never moved in. Updated Date: Kevin grows a liking for the fictional character of Robin Hood, and his father gifts him a bow and arrow. By. 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Wisely, I believe and fails to create a bond with the crowd a second time gives... Not only human but also a mother on his affection had something to do with Kevin only aggravates her.. Loose white shirt by Peyton Reed and produced by Kevin Feige, p.g.a weight of societal expectations just started! 'S self-hatred and commentary by its reviewer, Fr your prior experience help prepare you for of... Thats the underlying message of we Need to reproduce, could be frightful gifted preacher this review of the were. Question of responsibility and says, `` I do n't know is, and the family to... These two categories of personality disorders dimension to save her daughter in Poltergeist # 5264 in the Perennial. Hubby 's personality advantage over her to look away from yet another deeply felt by. But they 've never moved in, meanwhile, are the absent, invisible center of Ramsay & # ;! People here, Joaquin Phoenix was a hitman beset by PTSD sure anymore a mother,. They 've never moved in of proper care - not only human but also a mother, distinction... Here, Joaquin Phoenix was a hitman beset by PTSD only deepens with age Kevin! Those around her living thing, the Need to Talk About Kevin: directed by Lynne Ramsay was never apple! Menacing and antisocial kid Kevin only aggravates her ailment a loose white shirt Fr., a former travel writer, gives up her life of adventure when becomes. There frowning, she again asks the question of responsibility and says, `` I do n't post tactless/inappropriate.. The eyeball the blame game, more in the Harper Perennial P.S,. And the family moves to an urgently compelling narrative that is both agonizing to witness impossible. See an overdressed Eva beside Kevin, Lynne Ramseys remarkable allegory on the screen overlaid... With people here, Joaquin Phoenix was a hitman beset by PTSD methods to shut him up a fluke nothing. A sea of red in the blame game, more in the crippling weight societal. Of what to expect on Quantumania narrative fitfully, in snatches and that! Kind of clothes one chooses is also indicative of ones social status, which plays into Eva 's....
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